Can you afford NOT to self publish?

About two years ago, I decided to get "serious" about writing! Well, I already had my M.F.A. in creative writing, had already been in writing groups, sent out short stories to competitions, and was writing on my own time, while working and looking after my daughter. But "getting serious" meant quitting my freelance job and actually trying to get an agent for my first completed novel. I spent more than a year revising my novel, researching agents and the publishing industry, tweeting to other writers, and sending out queries. And where did it get me? ONE follow-up email from an agent, asking for a copy of my novel. That didn't lead to anything. Not to say that my novel was perfect -- I realized later I needed to change the point of view. I'm not blaming agents or publishers -- my book just wasn't ready.

But my point is, I spent a year and a half NOT working on any other writing projects because I was so busy researching and trying to get an agent. With each batch of new rejections, I would dive back into my novel, trying to figure out what was wrong. I researched genres. Was my book a mystery or a literary novel? Then, I'd send out more queries, trying out different approaches, different "hooks."  Six weeks later (or never), I'd get back more rejections. Back to the drawing board. Yes, I needed to revise my novel, but did I also need to spend countless ours searching out an agent??

Finally, my friend Lisa Logan published a collection of her short stories on Smashwords from her master's thesis. I had a master's thesis sitting on my computer, too. Along with tons of other short stories. I decided to follow her lead and publish a mini collection on Smashwords. Two years later, I've completed a draft of my second novel, published another collection of short stories on Amazon, and have just released a how-to guide with Lisa called Publishing and Selling Your Ebook on Kindle.

If you are a writer who, like me, won't feel satisfied until your books are out there to be read -- whether by 10 people or 10,000 people -- can you afford NOT to self publish? Sure, if you already have contacts in publishing and/or have the time (and money) to travel to writing conferences, networking and meeting literary agents, then traditional publishing might be the best route for you. But many of us can't do that. We have kids or a full-time job, or we can't afford to spend $300+ on a conference or take a weekend trip to New York City to hobnob with literary agents and visit publishing houses. For the typical, every-day person, self publishing might be the only viable option.

Yes, you have to spend tons of time marketing your own books, but from what I've learned, traditionally published writers are having to do that anyway. They tour, they blog, they tweet... If you only have one year to spend "getting serious" about writing -- do you spend that time trying to find an agent, or do you write? For me, now, the answer is clear -- I write.

Freebie, today only!!

Just a quick note... You can get my collection of short stories, Up Pops the Devil, for FREE until midnight tonight (Pacific Standard time).

The collection takes place in North Carolina, Vietnam, and on a subway carriage. In "Up Pops the Devil," pregnant Lara awakes in the middle of the night to find a group of men with guns standing in her bedroom. Her husband Nathan owes them money for cockfighting. On impulse, she flees into the mountains, taking the youngest (a teenage boy) with her. In "The Mood Detectives," a couple becomes obsessed with the depression craze that's hitting the country! In "What's for Dinner?" an insensitive husband wonders why he keeps drawing The Devil tarot card. And in "Viet," a teenage girl visits her mother's homeland of Vietnam and makes a surprising discovery. The characters in this collection confront unfortunate choices, bad luck, and plain old destiny, hoping to make it to the next day.

Just go here:  http://www.amazon.com/Up-Pops-the-Devil-ebook/dp/B00DP77PVC

Join the ebook/indy controversy!

There are some great discussions going on right now (on Twitter, blogs) about the state of ebooks and indie publishing. Join in and add your two cents -- are ebooks priced too low? If so, who does this hurt? Or is anything fair in the race to gain readership?

Indy author Catherine Ryan Howard has a great post (and follow-up discussion in comments), "Low E-book Pricing: The Compensation Problem," where she discusses a recent spat at the Harrogate Crime Festival. Writes Howard on her blog, Catherine, Caffeinated:

"During a panel discussion called Wanted for Murder: The E-book (for anyone surprised at what happened, shouldn’t that title have been your first clue?) bestselling crime writers Mark Billingham and Laura Lippman, seated in the audience, got into a bit of a heated debate with the panelists, one of whom was mega-selling cheap e-book author Stephen Leather."

Blogger Pam McIlroy tweeted about an article in The Guardian that discussed Sony's decision to offer a range of 20p titles in its new Reader Store.

And journalist and fiction writer Scott Bury tweeted and blogged about independent writers deserving more respect in the publishing world. From his blog, Written Words:

"We need to start talking about independent writers, those who control the publishing function themselves, in the same we we do about independent filmmakers and independent musicians. "Indie" group Arcade Fire, after all, won a Grammy."